Porque cada vez que intento acercarme
abres la boca y soplas
cubriéndome de tu aliento cálido
mis ojos de naturaleza seca
se resisten a humedecerse
mi humedad invasiva invade
hasta donde mi libido marca sus fronteras,
tus fronteras desconozco
pensaba hasta hace poco
cuando envuelto en tus afrodisíacos alientos
notaba tu irritación que yo mismo provocaba
al intentar acercarme con solamente un paso
ajeno a mi naturaleza invasiva
consecuencia de mi humedad invasiva
ajena a la sequedad de mis ojos
acentuada por el soplo tuyo
parte de tu naturaleza defensiva...
he decidido ahora mismo
dar dos pasos en vez de uno...
JP
27.10.2005
Thursday, October 27, 2005
Tuesday, October 25, 2005
Dear 'Dear Wendy'
Dear 'Dear Wendy',
it is important for me not to forget, but that doesn't mean that it is important to remember, because it actually hurts me, and it distracts me, and it keeps me awake when I want to sleep; so I call you "dear", since you distracted me without hurting and you didn't make me remember anything at all. I enjoyed you and now I want to have you with me in three different parts. At least.
I would like to have a copy of you. I would like to have a copy of your soundtrack. I would like to have a copy of your screenplay. Did I say "at least"? Perhaps I would like to have something else from you. Or to have had. But I won't grow pathetic, I've learned somehow to be conformist, that's something that perhaps you don't know from me, do you?
A lot of facts you don't know about me, dear 'Dear Wendy', and I am glad for. I've never thought of myself to be a mysterious or deep guy, so, if there's something you may ignore about me, I feel a little bit like that. It helps my self esteem.
However, when I finish today, you might know something else about me. I hope I don't dissapoint you.
The first time I visited you it was late at night, remember? The last night, the closing night of the Fantasy Film Fest, in that theater, full, and my hidden arousal filling the empty spaces around me. I was surprised, and I felt really good for I came to know you sooner than a lot of other persons who would do it afterwards, outside a festival.
I didn't have to behave empathetic, I didn't feel the need of identifying myself with any of your characters, although I could've done it; what I want to acclaim is your sensibility for not falling into those emotional and trendy holes for catching other persons. And you didn't even if the theater was full. For moments you made me feel angry, or upset, but not towards you, just for you made clear that I was just a visitor with the right to know what was going on which each of the persons around who were not visitors. Was I then a part of yours or was I behaving emotional? I don't think either way. What I think is that you conquered me with your fine and honest behaviour. Besides you were looking pretty good. And your behaviour was that of the fine ones.
So, you introduced to me a city and some persons living right there. You showed me the faces and features of those persons whose names you said, perhaps you didn't really talk about Cynthia and that Sheriff (not Krugsby, the other one), but the rest were quite recongnizable according to what you told about them. In a moment I could've decided to left that city or even to live there. I didn't leave, but I didn't dwell there either, that was a big achivement from you, you know? part of your beautiness.
When I left the theater room and I have to wait a long for the train which took me home, your were present, with me, in me. For sure you talked about inspiration and you didn't do it for free. Actually I don't think that any comment from you was for free, you charged every single word, so every single cent I paid for meeting you was worth.
So that I even went to see you again. How did you feel to meeting me again? This second time you were pretty lonesome, Andreu was with me and in the rest of the room were less persons than the fingers I have. I don't think you felt bad because of that, did you?
The second time the surprise was lesser than the first time, but I enjoyed you even more. I paid more attention to your words, and I paid to meet you a second time. This time your speech felt a bit better, letting each one of the persons you introduced to take a more specific part in the sketch I was drawing while we were talking. I didn't get angry or upset, and perhaps I understood more why and once again I didn't grow that emotional, then I thought that perhaps that's why not so many people came to visit you and that's why I think you were not dissapointed.
I don't know whether Andreu liked you, but I enjoyed to watch you and hear you while he was by my side. That's another feature from me that you know. Don't tell to anybody, please, I could be misinterpreted.
Dear 'Dear Wendy', I hope next time you come to visit me, I guess I deserve it, don't you think so?
Honestly yours,
J
it is important for me not to forget, but that doesn't mean that it is important to remember, because it actually hurts me, and it distracts me, and it keeps me awake when I want to sleep; so I call you "dear", since you distracted me without hurting and you didn't make me remember anything at all. I enjoyed you and now I want to have you with me in three different parts. At least.
I would like to have a copy of you. I would like to have a copy of your soundtrack. I would like to have a copy of your screenplay. Did I say "at least"? Perhaps I would like to have something else from you. Or to have had. But I won't grow pathetic, I've learned somehow to be conformist, that's something that perhaps you don't know from me, do you?
A lot of facts you don't know about me, dear 'Dear Wendy', and I am glad for. I've never thought of myself to be a mysterious or deep guy, so, if there's something you may ignore about me, I feel a little bit like that. It helps my self esteem.
However, when I finish today, you might know something else about me. I hope I don't dissapoint you.
The first time I visited you it was late at night, remember? The last night, the closing night of the Fantasy Film Fest, in that theater, full, and my hidden arousal filling the empty spaces around me. I was surprised, and I felt really good for I came to know you sooner than a lot of other persons who would do it afterwards, outside a festival.
I didn't have to behave empathetic, I didn't feel the need of identifying myself with any of your characters, although I could've done it; what I want to acclaim is your sensibility for not falling into those emotional and trendy holes for catching other persons. And you didn't even if the theater was full. For moments you made me feel angry, or upset, but not towards you, just for you made clear that I was just a visitor with the right to know what was going on which each of the persons around who were not visitors. Was I then a part of yours or was I behaving emotional? I don't think either way. What I think is that you conquered me with your fine and honest behaviour. Besides you were looking pretty good. And your behaviour was that of the fine ones.
So, you introduced to me a city and some persons living right there. You showed me the faces and features of those persons whose names you said, perhaps you didn't really talk about Cynthia and that Sheriff (not Krugsby, the other one), but the rest were quite recongnizable according to what you told about them. In a moment I could've decided to left that city or even to live there. I didn't leave, but I didn't dwell there either, that was a big achivement from you, you know? part of your beautiness.
When I left the theater room and I have to wait a long for the train which took me home, your were present, with me, in me. For sure you talked about inspiration and you didn't do it for free. Actually I don't think that any comment from you was for free, you charged every single word, so every single cent I paid for meeting you was worth.
So that I even went to see you again. How did you feel to meeting me again? This second time you were pretty lonesome, Andreu was with me and in the rest of the room were less persons than the fingers I have. I don't think you felt bad because of that, did you?
The second time the surprise was lesser than the first time, but I enjoyed you even more. I paid more attention to your words, and I paid to meet you a second time. This time your speech felt a bit better, letting each one of the persons you introduced to take a more specific part in the sketch I was drawing while we were talking. I didn't get angry or upset, and perhaps I understood more why and once again I didn't grow that emotional, then I thought that perhaps that's why not so many people came to visit you and that's why I think you were not dissapointed.
I don't know whether Andreu liked you, but I enjoyed to watch you and hear you while he was by my side. That's another feature from me that you know. Don't tell to anybody, please, I could be misinterpreted.
Dear 'Dear Wendy', I hope next time you come to visit me, I guess I deserve it, don't you think so?
Honestly yours,
J
Tuesday, October 11, 2005
Habemus Kanzlerin
On last Sunday I saw on TV that the city of Berlin was a kind of city under siege, or under urge, or under the cameras from the world's press.
That singer (my personal relation aside) Robbie Williams was shaking and rocking with a concert which was broadcasted to several places and with visitors from everywhere. And that day, some people was standing or sitting, waiting for a new Kanzler, after Angela Merkel and Gerhard Shröder were having conversations.
Since yesterday Merkel is the historic first woman, first Kanzlerin in Germany. After seeing the especulations and anxiety of the people, I dare to think that there is no clear leadership in the country where I am currently living.
Something that I notticed here in Germany, in comparison with my own country, is that being Kanzler doesn't mean necessarily being in the power or being mighty, whereas in Mexico, to be a President is almost to be allmighty (and all-vulnerable I can tell). But after all this talks they had had, I am starting to think that to be a politician requires to have some power, and actually lesser than the power that one gives away. I say that because in my humble opinion I dare to think that the other guy in Merkel's party, Stoiber, wouldn't just sit and clap his hands at Merkel's work. He doesn't look like.
But I am not a critic or a politic analyzer, I am just a foreigner in a country after 4 and half years, and such decisions, directly or indirectly, affect me.
I wouldn't have paid for a concert of Robbie Williams, but I wish I saw him. I didn't vote for the german elections, but I wish I did.
That singer (my personal relation aside) Robbie Williams was shaking and rocking with a concert which was broadcasted to several places and with visitors from everywhere. And that day, some people was standing or sitting, waiting for a new Kanzler, after Angela Merkel and Gerhard Shröder were having conversations.
Since yesterday Merkel is the historic first woman, first Kanzlerin in Germany. After seeing the especulations and anxiety of the people, I dare to think that there is no clear leadership in the country where I am currently living.
Something that I notticed here in Germany, in comparison with my own country, is that being Kanzler doesn't mean necessarily being in the power or being mighty, whereas in Mexico, to be a President is almost to be allmighty (and all-vulnerable I can tell). But after all this talks they had had, I am starting to think that to be a politician requires to have some power, and actually lesser than the power that one gives away. I say that because in my humble opinion I dare to think that the other guy in Merkel's party, Stoiber, wouldn't just sit and clap his hands at Merkel's work. He doesn't look like.
But I am not a critic or a politic analyzer, I am just a foreigner in a country after 4 and half years, and such decisions, directly or indirectly, affect me.
I wouldn't have paid for a concert of Robbie Williams, but I wish I saw him. I didn't vote for the german elections, but I wish I did.
Thursday, October 06, 2005
La mezcla o forraje o cóctel
Un granjero en el mercado del Turmweg me reconoce cada vez que paso por su puestecito y en ocasiones me da sus productos a precio más bajo.
Hoy he comprado dos alcachofas, grandes, como tetas de concurso y dos toronjas, que dicen que son buenas para quemar la grasa sin hacer mucho esfuerzo. Con lo amargas que son, comérselas ya es un esfuerzo.
Cagar es otro esfuerzo, aunque es un esfuerzo placentero, a menos que el estrenimiento esté de camarada indecente, que no se aleja ni cuando se visita el retrete.
En tales casos es bueno comer pasas. Hoy en el mercado he comprado algunas uvas pasas, pero no se encuentran solas, también traen o llevan a sus camaradas, unas nueces de diferente procedencia: anacardo, almendra, avellana y no sé qué mas. Las nueces, frutas secas por excelencia, traen la grasa que la toronja luego quema, y dan energías que no necesariamente se tienen que quemar, ayudan a la concentración. Las uvas pasas son las que ayudan a cagar mejor y he notado que incrementan la salivación al comerlas. Son buenas.
Tal ejército de uvas pasas y frutas secas se llama "studentenfutter" en alemán, creo que significa algo como "forraje de estudiantes". El fin de semana pasado antes de coger el tren para ir a Sylt, compré una bolsa de "studentenfutter" que me costaron casi 5 Euros. El paquete, con las etiquetas "BIO" y "FIT" -que supongo son marcas registradas o ideas tenebrosas para que haya costado tan caro-, tenía traducciones del contenido en varios idiomas. En inglés le decían "Mix for students", que entiendo como "mezcla para estudiantes" y en la lengua de Cervantes le pusieron "Cóctel para estudiantes".
Hoy he comprado mi "cóctel para estudiantes" en el mercado de Turmweg, no precisamente con mi granjero preferido, pues él no las tiene, sino en el puestecito de en frente, por menos de 2 Euros.
Voy a comer alcachofas. Luego toronjas. Luego, para cagar a gusto, mi "cóctel de estudiantes"
Hoy he comprado dos alcachofas, grandes, como tetas de concurso y dos toronjas, que dicen que son buenas para quemar la grasa sin hacer mucho esfuerzo. Con lo amargas que son, comérselas ya es un esfuerzo.
Cagar es otro esfuerzo, aunque es un esfuerzo placentero, a menos que el estrenimiento esté de camarada indecente, que no se aleja ni cuando se visita el retrete.
En tales casos es bueno comer pasas. Hoy en el mercado he comprado algunas uvas pasas, pero no se encuentran solas, también traen o llevan a sus camaradas, unas nueces de diferente procedencia: anacardo, almendra, avellana y no sé qué mas. Las nueces, frutas secas por excelencia, traen la grasa que la toronja luego quema, y dan energías que no necesariamente se tienen que quemar, ayudan a la concentración. Las uvas pasas son las que ayudan a cagar mejor y he notado que incrementan la salivación al comerlas. Son buenas.
Tal ejército de uvas pasas y frutas secas se llama "studentenfutter" en alemán, creo que significa algo como "forraje de estudiantes". El fin de semana pasado antes de coger el tren para ir a Sylt, compré una bolsa de "studentenfutter" que me costaron casi 5 Euros. El paquete, con las etiquetas "BIO" y "FIT" -que supongo son marcas registradas o ideas tenebrosas para que haya costado tan caro-, tenía traducciones del contenido en varios idiomas. En inglés le decían "Mix for students", que entiendo como "mezcla para estudiantes" y en la lengua de Cervantes le pusieron "Cóctel para estudiantes".
Hoy he comprado mi "cóctel para estudiantes" en el mercado de Turmweg, no precisamente con mi granjero preferido, pues él no las tiene, sino en el puestecito de en frente, por menos de 2 Euros.
Voy a comer alcachofas. Luego toronjas. Luego, para cagar a gusto, mi "cóctel de estudiantes"
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